Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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PIAZZETTA, Giovanni Battista
Saints Vincenzo Ferrer, Hyacinth and Louis Bertram

ID: 19871

PIAZZETTA, Giovanni Battista Saints Vincenzo Ferrer, Hyacinth and Louis Bertram
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PIAZZETTA, Giovanni Battista Saints Vincenzo Ferrer, Hyacinth and Louis Bertram


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PIAZZETTA, Giovanni Battista

Italian Rococo Era Painter, ca.1683-1754  Related Paintings of PIAZZETTA, Giovanni Battista :. | St. John the Baptist | The Guardian Angel with Sts Anthony of Padua and Gaetano Thiene af | Idyll at the Coast sg | Elijah Taken up in a Chariot of Fire | The Virgin Appearing to St Philip Neri a |
Related Artists:
Robert Feke
1710-1752 Robert Feke Gallery Robert Feke (1707 ?C 1752) was an American portrait painter born on Long Island, New York. Little is known for certain about his life before 1741, which is the year he painted his first portrait, Family of Isaac Royall. Sixteen portraits in total are known to be by Feke, and an additional 50 are disputed to be by him. His paintings are known for their sobriety and uniformity, but also for their rich colours and accuracy.
Adolf Fenyes
1867-1945 Adolf Fenyes Locations
AMBERGER, Christoph
German Painter, ca.1500-1562 German painter and draughtsman. His family came from the Upper Palatinate. He served his apprenticeship in Augsburg, probably with Leonhard Beck, whose daughter Barbara he married. He became a master on 15 May 1530 but rarely signed his work. He was in northern Italy and Venice c. 1525-7. His full-length pendant portraits of a husband and wife (both 1525; Vienna, Ksthist. Mus.) show Venetian influence, and the portrait of Anton Welser (1527; priv. col., see 1980 exh. cat., p. 98) is in the Italian style. According to Sandrart, during the Imperial Diet of 1530 in Augsburg Amberger painted a portrait of Emperor Charles V to the Emperor's satisfaction, but the surviving work (Berlin, Gem?ldegal.) dates from 1532, based on the age given. In the decades that followed, Amberger was the favourite portrait painter of ambitious merchant families, such as the Fugger, who belonged to guilds but were connected with the nobility by family or marriage ties.






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